Mangione: The Making and the Meaning by John H Richardson – Sympathy for a Devil?
On the fifth of December 2024, a major newspaper published the headline “Insurance CEO Shot Dead In Manhattan”. The report then noted that Brian Thompson was “shot in the back in Midtown Manhattan by a killer who then walked coolly away”. The murder in broad daylight was indeed both chilling and disturbing. But many Americans had a different response: for those who faced insurance rejections or struggled with medical bills, the news felt like a release. Social media blew up. One comment stated: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company designed to increase earnings on your health.”
Less than a week after, Luigi Mangione, a handsome, 26-year-old University of Pennsylvania alumnus with a master’s in computer science, was arrested at a McDonald’s in Altoona, Pennsylvania. He faces court proceedings on federal and state charges of murder, with the district attorney seeking the capital punishment. So who is Mangione? And what might have motivated the accused offense? These are the questions John H Richardson attempts to answer in an inquiry that explores broader themes, too.
The Making of a Subject
A writer for a major publication, Richardson spent years researching the groups that exist in the hidden parts of the internet, writing stories about people “cursed with realistic fears about an apocalyptic future”. To reveal “the making” of his subject, Richardson first examines Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of nearly three hundred titles on a reading platform”. Their content ranged from climate change to masculinity, along with a “focus on his own self-improvement, both physical and mental”. Additionally, Richardson analyzes his correspondence with online personalities and authors as well as his many updates on digital networks. These original materials, meant to paint a portrait of Mangione, instead render him an unclear character. Richardson attempts to explain this by proposing that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson attempts to cast his subject in archetypal terms.
Mangione is profoundly worried about the world around him, one where ‘everything is accelerating whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “refuse” and “remove”, engraved on the ammunition left behind at the crime scene. These are the phrases sometimes used by medical insurers to reject claims. He looks at the indication Mangione suffered from a long-term spinal issue, which could have been a reason for an attack, but discovers no confirmation; instead, what meaning there is seems to lie in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to ultimately either dominate, or eliminate humanity, or both.
Gaps in the Narrative
Conspicuous by their absence from the book are interviews with the key individuals. Richardson made requests, but never expected time with Mangione himself. And his relatives stated explicitly that they had decided against speaking to the press in advance of the trial. Another glaring gap is any detailed data about the victim, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings rose significantly.
Unclear Conclusions
By the conclusion, the audience has little insight of Mangione’s character or what could have driven his accused actions. More troubling, Richardson’s obvious sympathy for him creates the uncomfortable impression of having been exposed to a subtle approval of an assassination. In the book’s closing remarks, Richardson delivers his mythical interpretation: “We’ve entered a era of stories, the insane ruler, the monster in the maze and the emperor without clothes.” In that fable “Robin Hoods come with a beautiful promise … They arrive in periods of unrest, when the people are suffering and nothing makes sense anymore.”
One thing is clear: as Mangione’s defence team continues in its attempts have charges that could lead to the death penalty dismissed, any mention of myths, Robin Hoods, champions or monsters will not be admissible as evidence in defence of this handsome young man with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.